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Stranglers - Stranglers In The Night (1992)

vom: 20.09.2025

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07:44:56

Öffentlicher Name:

Miyagi

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mp3

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[img]links/images/splogo.jpg[/img]

[center]
[url=https://postimages.org/][img(width=500 height=483)]https://i.postimg.cc/Kjf68YHb/000.jpg[/img][/url][/center]
Rock

The Stranglers sind eine britische Band, deren Musik durch EinflÃ¼sse von New Wave, Punk und Psychedelic Rock geprÃ¤gt ist.
Mit ihrem eigenstÃ¤ndigen Musikstil, der am ehesten unter New Wave einzuordnen ist, aber auch Punk- und Psychedelic-Rock-Elemente enthÃ¤lt, erregten sie bald Aufmerksamkeit und kamen so 1976 zu einem Plattenvertrag. 1977 konnten sie bereits drei Singles in den britischen Top 10 platzieren, darunter No More Heroes und Peaches. In den Liedtexten wurde oft das Leben der Underdogs thematisiert.

Stranglers in the Night is the eleventh studio album by the Stranglers and the first release on the band's own record label, Psycho, in 1992. 
They should have changed the name. No, this isn't the Stranglers, the band that made ten pretty great studio albums with Hugh Cornwell at the helm. His departure is huge, since his replacement, Paul Roberts (on vocals; ex-Vibrators and late-'70s punk contemporary John Ellis fills his guitar shoes), just can't cut it. He tries hard, but all the warmth of the last decade of Cornwell's singing (think "Always the Sun" and "Skin Deep") was too essential to the Stranglers post-punk days to call this their real 11th album. Bassist Jean Jacques Burnel should have taken over the vocals himself; he always did a great job on such songs as "Nice in Nice." In the Night is not a total stinker; after all, Burnel and Jet Black have been an inspired rhythm section for 20 years, and Dave Greenfield is still good at sticking in his little bits for style and emphasis. But Roberts' Jim Morrison-like voice is just too distracting, and the songwriting has fallen off without Cornwell as well. Even the much-maligned swan song 10 had a batch of winning songs on it (such as "Sweet Smell of Success"), but despite the pleasant ambience of "Southern Mountains," "This Town," "Heaven and Hell," and the opening "Time to Die" (which, with its talking bits, recalls Feline's opener "Midnight Summer Dream"), the combination of the over-baked Morrison-esque vocals and lesser hooks make In the Night an OK but unimportant non-starter. If it were a new band, we could look at it as potential. But so long as they keep the old name, we think of all the classic songs we loved, and this poor, last-legs horse they flog lost its life when Cornwell walked. Boo hoo.

[color=#FF0000]1		Time To Die	3:50
2		Sugar Bullets	5:26
3		Heaven Or Hell	4:31
4		Laughing At The Rain	3:42
5		This Town	5:18
6		Brainbox	2:47
7		Southern Mountains	3:45
8		Gain EntryTo Your Soul	4:28
9		Grand Canyon	4:11
10		Wet Afternoon	4:01
11		Never See	3:59
12		Leave It To The Dogs	5:32[/color]

Paul Roberts ??â€œ vocals
Jean-Jacques Burnel ??â€œ bass, vocals
John Ellis ??â€œ guitar, vocals
Dave Greenfield ??â€œ keyboards, vocals
Jet Black ??â€œ drums, percussion

mp3 320

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